<?xml version="1.0" encoding="UTF-8"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" version="2.0" xmlns:media="http://search.yahoo.com/mrss/"><channel><title><![CDATA[The Globe and Mail]]></title><link>https://www.theglobeandmail.com</link><atom:link href="https://www.theglobeandmail.com/arc/outboundfeeds/rss/author/4517656/" rel="self" type="application/rss+xml"/><description><![CDATA[The Globe and Mail News Feed]]></description><lastBuildDate>Wed, 10 Jun 2026 09:56:05 +0000</lastBuildDate><language>en-ca</language><copyright>Copyright 2024 The Globe and Mail Inc. All rights reserved.</copyright><ttl>1</ttl><sy:updatePeriod>hourly</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><image><url>https://www.theglobeandmail.com/legacy/static/mobile.flag.rss.png</url><title>The Globe and Mail</title><link>https://www.theglobeandmail.com</link></image><item><title><![CDATA[Five visual arts exhibits to catch this summer]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-2026-summer-visual-arts-exhibits-canada/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-2026-summer-visual-arts-exhibits-canada/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[Museums and galleries across Canada are offering a diverse lineup for summertime visits]]></description><pubDate>Fri, 05 Jun 2026 12:00:00 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/IJYBG37PXREMVL424JNP64446Y.jpg?auth=277952e22a946e66a6f02a176c545a64fc17739f6782063aee27f04467d16874&smart=true&width=1417&height=1063" alt="" height="1063" width="1417"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/M574VBRITVCZHG5IFE3MXHFVGQ.jpg?auth=b52d77aa4158024ef216a12aa6e1a64842c2d653934dea81b307fe87ba0d6c6a&amp;smart=true&amp;width=1594&amp;height=1063" type="image/jpeg" height="1063" width="1594"><media:credit role="author" scheme="urn:ebu">Hayley Watson</media:credit></media:content></item><item><title><![CDATA[As World Cup nears, playful art shows in Toronto consider winning and losing]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-fifa-world-cup-toronto-playful-art-shows/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-fifa-world-cup-toronto-playful-art-shows/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[Two cultural institutions are mounting exhibitions that speak to the sporting moment]]></description><pubDate>Fri, 05 Jun 2026 20:06:17 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/WCRZQPWE3NGKHM7ZX4JT3FFJOY.JPG?auth=0d2cf51f68c69965be3bbac5796e50d7aec1d0201c6f362135d36bf81b41c18b&smart=true&width=2500&height=1406" alt="Glorious Bones, an installation by Esmaa Mohamoud at the Aga Khan Museum, combines repurposed American football helmets, wax print fabrics, steel and recycled tires." height="1406" width="2500"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/WCRZQPWE3NGKHM7ZX4JT3FFJOY.JPG?auth=0d2cf51f68c69965be3bbac5796e50d7aec1d0201c6f362135d36bf81b41c18b&amp;smart=true&amp;width=2500&amp;height=1406" type="image/jpeg" height="1406" width="2500"><media:description type="plain"><![CDATA[Glorious Bones by Esmaa Mohamoud (b. 1992), 2019. Repurposed football helmets, wax print fabrics, steel, and recycled tires. ]]></media:description><media:credit role="author" scheme="urn:ebu">Esmaa Mohamoud Studio.</media:credit></media:content></item><item><title><![CDATA[Two Canadian artists add names to Venice Biennale letter protesting inclusion in awards ballot]]></title><link>https://www.theglobeandmail.com/culture/article-canadian-artists-venice-biennale-protest-visitors-ballot/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/article-canadian-artists-venice-biennale-protest-visitors-ballot/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[Artists ask that they not be considered for people’s choice prizes introduced after festival’s jury resigned to protest Russia and Israel’s participation]]></description><pubDate>Thu, 04 Jun 2026 16:06:29 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/VBNYIPYWJJBQTJXC3JLC3ZDJZE.JPG?auth=5ca0c893dbdebb0c8c56ecea4ad184dc56e9583b8f8133128c0f6b1fb2b83dad&smart=true&width=5500&height=3667" alt="Demonstrators attend a protest at Venice Biennale's International Art Exhibition, on May 7." height="3667" width="5500"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/VBNYIPYWJJBQTJXC3JLC3ZDJZE.JPG?auth=5ca0c893dbdebb0c8c56ecea4ad184dc56e9583b8f8133128c0f6b1fb2b83dad&amp;smart=true&amp;width=5500&amp;height=3667" type="image/jpeg" height="3667" width="5500"><media:description type="plain"><![CDATA[People hold a flag in the colours of the Ukrainian national flag as demonstrators from Pussy Riot group attend a protest at Venice Biennale's International Art Exhibition, in Venice, Italy, May 7, 2026. REUTERS/Manuel Silvestri]]></media:description><media:credit role="author" scheme="urn:ebu">Manuel Silvestri</media:credit></media:content></item><item><title><![CDATA[Vera Frenkel’s latest mischief-making is a gentle rebuke to ageism]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-vera-frenkel-as-if-by-chance-koffler-arts/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-vera-frenkel-as-if-by-chance-koffler-arts/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[Toronto artist’s new exhibition employs a tall tale to condemn gentrification]]></description><pubDate>Thu, 04 Jun 2026 12:04:49 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/U6RWBHEHF5AOBB6NZP4S3A7NVA.jpg?auth=150d5ba43e565fba2184e9462c2cd23d579092603518945e64f1588720500ff4&smart=true&width=1200&height=800" alt="Still from Vera Frenkel's 'As If by Chance,' mounted as an art installation at Koffler Arts in Toronto." height="800" width="1200"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/U6RWBHEHF5AOBB6NZP4S3A7NVA.jpg?auth=150d5ba43e565fba2184e9462c2cd23d579092603518945e64f1588720500ff4&amp;smart=true&amp;width=1200&amp;height=800" type="image/jpeg" height="800" width="1200"><media:description type="plain"><![CDATA[Still from Vera Frenkel's As If by Chance, mounted as an art installation at Koffler Arts in Toronto.]]></media:description><media:credit role="author" scheme="urn:ebu">Vera Frenkel/Koffler Arts</media:credit></media:content></item><item><title><![CDATA[For the Vancouver Art Gallery’s Eva Respini, it’s all about the art. Period.]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-vancouver-art-gallery-eva-respini/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-vancouver-art-gallery-eva-respini/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[At a time when some museums are occupied by politics, the interim co-director at the VAG isn’t getting distracted by non-curatorial concerns]]></description><pubDate>Fri, 29 May 2026 13:00:00 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/AYIQKTY575CDHH4DKHDJOPMBG4.JPG?auth=bd28dc50b83231287a3ce753b2deacda96ef719e1fdd1c34c5b6fdd6637ef27f&smart=true&width=4000&height=2668" alt="Eva Respini, interim co-director of the Vancouver Art Gallery, is responsible for curation and work on the gallery’s future home, while Sirish Rao assumes other director’s duties." height="2668" width="4000"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/AYIQKTY575CDHH4DKHDJOPMBG4.JPG?auth=bd28dc50b83231287a3ce753b2deacda96ef719e1fdd1c34c5b6fdd6637ef27f&amp;smart=true&amp;width=4000&amp;height=2668" type="image/jpeg" height="2668" width="4000"><media:description type="plain"><![CDATA[Eva Respini, The Vancouver Art Gallery's new curator and interim co-director is photograhed at the gallery against the backdrop of Brian Jungen's life size whale scuplture built from plastic patio chairs titled "Cetology, 2002. On the floor is is Liz Larner's "Meerschaum Drift (Blue)", exploring plastic in the ocean. Photographed on May 22, 2026]]></media:description><media:credit role="author" scheme="urn:ebu">Rachel Pick</media:credit></media:content></item><item><title><![CDATA[At the Vancouver Art Gallery’s climate show, a tough assignment: no preaching allowed]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-vancouver-art-gallery-future-geographies-review/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-vancouver-art-gallery-future-geographies-review/</guid><dc:creator><![CDATA[Kate Taylor]]></dc:creator><description><![CDATA[Covering art from the past 25 years, the Future Geographies exhibit tries hard not to preach environmentalism]]></description><pubDate>Fri, 29 May 2026 13:00:00 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/QBXAWN6F2JCLLCZZ7ZTZ6Q37U4.JPG?auth=49e206fc199b0aaa000b9353938351bcea8d2aac17664951cfd4f213fb607ca1&smart=true&width=4000&height=2668" alt="With Future Geographies: Art in the Century of Climate Change, work from more than 30 Canadian and international artists  are divided into four thematic sections: Living Knowledge; Consumed Earth; Speculative Worlds; and Material Memory." height="2668" width="4000"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/EGSD7LJREJAU5AFOTO34JVB25Y.JPG?auth=0892c48ddc56e0bdb0dbd4c1c5be817a5767e6ddfbf49ecad02a41f00a181780&amp;smart=true&amp;width=4000&amp;height=2668" type="image/jpeg" height="2668" width="4000"><media:description type="plain"><![CDATA[Abbas Akhavan’s LOOP, 2023, (left) and Douglas Coupland’s painting Ellesmere, 2023, (right) appear as part of the Vancouver Art Gallery’s Future Geographies exhibition.]]></media:description><media:credit role="author" scheme="urn:ebu">Rachel Pick</media:credit></media:content></item></channel></rss>