<?xml version="1.0" encoding="UTF-8"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" version="2.0" xmlns:media="http://search.yahoo.com/mrss/"><channel><title><![CDATA[The Globe and Mail]]></title><link>https://www.theglobeandmail.com</link><atom:link href="https://www.theglobeandmail.com/arc/outboundfeeds/rss/author/638354/" rel="self" type="application/rss+xml"/><description><![CDATA[The Globe and Mail News Feed]]></description><lastBuildDate>Tue, 21 Apr 2026 19:41:49 +0000</lastBuildDate><language>en-ca</language><copyright>Copyright 2024 The Globe and Mail Inc. All rights reserved.</copyright><ttl>1</ttl><sy:updatePeriod>hourly</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><image><url>https://www.theglobeandmail.com/legacy/static/mobile.flag.rss.png</url><title>The Globe and Mail</title><link>https://www.theglobeandmail.com</link></image><item><title><![CDATA[The Testaments, sequel to The Handmaid’s Tale, meets the cultural moment]]></title><link>https://www.theglobeandmail.com/culture/film-and-tv/television/article-testaments-handmaids-tale-margaret-atwood/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/film-and-tv/television/article-testaments-handmaids-tale-margaret-atwood/</guid><dc:creator><![CDATA[Johanna Schneller]]></dc:creator><description><![CDATA[Adapted from Margaret Atwood’s follow-up novel, the 10-episode first season is subtle and on point]]></description><pubDate>Tue, 07 Apr 2026 13:00:00 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/LF4X63XN6REB7AMRCWDU7RUH2Y.jpg?auth=5cad37bd9631ca1212f95b79d65b6cd48c72d475d77254d6365fa179db286e6f&smart=true&width=3000&height=2000" alt="'The Testaments' is set inside an elite girls’ training academy in Gilead." height="2000" width="3000"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/LF4X63XN6REB7AMRCWDU7RUH2Y.jpg?auth=5cad37bd9631ca1212f95b79d65b6cd48c72d475d77254d6365fa179db286e6f&amp;smart=true&amp;width=3000&amp;height=2000" type="image/jpeg" height="2000" width="3000"><media:description type="plain"><![CDATA[THE TESTAMENTS - “Daisy” - An incident on a school trip spurs Daisy’s memories of Toronto, revealing her past and a world shattered by violence. (Disney/Russ Martin)LUCY HALLIDAY, CHASE INFINITI]]></media:description><media:credit role="author" scheme="urn:ebu">Russ Martin</media:credit></media:content></item><item><title><![CDATA[DTF St. Louis is an anxiously tender take on male friendships]]></title><link>https://www.theglobeandmail.com/culture/film-and-tv/television/article-dtf-st-louis-is-an-anxiously-tender-take-on-male-friendships/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/film-and-tv/television/article-dtf-st-louis-is-an-anxiously-tender-take-on-male-friendships/</guid><dc:creator><![CDATA[Johanna Schneller]]></dc:creator><description><![CDATA[The seven-episode limited series on HBO/Crave is a heartfelt story masquerading as a murder mystery ]]></description><pubDate>Mon, 06 Apr 2026 21:08:24 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/QYMTQSEL3BHPJLYPL2QBGMMJRQ.jpg?auth=b93ec28c726db1942e02235555093882052a5640caec153d2a20b4447ae2fffe&smart=true&width=1920&height=1280" alt="Jason Bateman, left, and David Harbour in DTF St. Louis." height="1280" width="1920"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/QYMTQSEL3BHPJLYPL2QBGMMJRQ.jpg?auth=b93ec28c726db1942e02235555093882052a5640caec153d2a20b4447ae2fffe&amp;smart=true&amp;width=1920&amp;height=1280" type="image/jpeg" height="1280" width="1920"><media:description type="plain"><![CDATA[Jason Bateman, left, and David Harbour in DTF St. Louis.]]></media:description><media:credit role="author" scheme="urn:ebu">Tina Rowden</media:credit></media:content></item></channel></rss>