<?xml version="1.0" encoding="UTF-8"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" version="2.0" xmlns:media="http://search.yahoo.com/mrss/"><channel><title><![CDATA[The Globe and Mail]]></title><link>https://www.theglobeandmail.com</link><atom:link href="https://www.theglobeandmail.com/arc/outboundfeeds/rss/author/aislingmurphy/" rel="self" type="application/rss+xml"/><description><![CDATA[The Globe and Mail News Feed]]></description><lastBuildDate>Tue, 21 Apr 2026 14:55:40 +0000</lastBuildDate><language>en-ca</language><copyright>Copyright 2024 The Globe and Mail Inc. All rights reserved.</copyright><ttl>1</ttl><sy:updatePeriod>hourly</sy:updatePeriod><sy:updateFrequency>1</sy:updateFrequency><image><url>https://www.theglobeandmail.com/legacy/static/mobile.flag.rss.png</url><title>The Globe and Mail</title><link>https://www.theglobeandmail.com</link></image><item><title><![CDATA[Opera Atelier’s youngest work centres a love triangle and raises a deep question]]></title><link>https://www.theglobeandmail.com/culture/article-opera-ateliers-youngest-work-centres-a-love-triangle-and-raises-a-deep/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/article-opera-ateliers-youngest-work-centres-a-love-triangle-and-raises-a-deep/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[Pelléas et Mélisande, Claude Debussy’s only opera, plays in Toronto through Sunday]]></description><pubDate>Fri, 17 Apr 2026 23:48:28 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/KUCLYNLQN5HY5O7BCXFXJULFHQ.JPG?auth=c544f10e1e7855276df2256eca1263e934c6e9aafc7efd62f17a789fb562b69f&smart=true&width=3500&height=2333" alt="Eric Da Silva, a member of the Artists of Atelier Ballet, performs with soprano Meghan Lindsay in Opera Atelier's production of Pelléas et Mélisande." height="2333" width="3500"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/KUCLYNLQN5HY5O7BCXFXJULFHQ.JPG?auth=c544f10e1e7855276df2256eca1263e934c6e9aafc7efd62f17a789fb562b69f&amp;smart=true&amp;width=3500&amp;height=2333" type="image/jpeg" height="2333" width="3500"><media:description type="plain"><![CDATA[Eric Da Silva, a member of the Artists of Atelier Ballet, performs with soprano Meghan Lindsay in Opera Atelier's production of Pelléas et Mélisande.]]></media:description><media:credit role="author" scheme="urn:ebu">Bruce Zinger</media:credit></media:content></item><item><title><![CDATA[Barry Avrich peeks behind the curtain at Antoni Cimolino’s retirement from the Stratford Festival]]></title><link>https://www.theglobeandmail.com/culture/film-and-tv/film/article-barry-avrich-peeks-behind-the-curtain-at-antoni-cimolinos-retirement/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/film-and-tv/film/article-barry-avrich-peeks-behind-the-curtain-at-antoni-cimolinos-retirement/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[This Above All: The Theatrical Life of Antoni Cimolino premieres at Hot Docs on April 27]]></description><pubDate>Fri, 17 Apr 2026 22:42:54 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/U2LFUSSXIBG2RGBZLVIJXTBWZA.jpg?auth=49b6da7140627ef08eef5a5f1fda7aee59a7f23b984f724abd5af88741bbf58b&smart=true&width=2989&height=1992" alt="Stratford Festival artistic Antoni Cimolino at the Tom Patterson Theatre, Oct. 13, 2020. Barry Avrich's film following Cimolino through the festival’s recent years will premiere at Hot Docs on April 27." height="1992" width="2989"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/U2LFUSSXIBG2RGBZLVIJXTBWZA.jpg?auth=49b6da7140627ef08eef5a5f1fda7aee59a7f23b984f724abd5af88741bbf58b&amp;smart=true&amp;width=2989&amp;height=1992" type="image/jpeg" height="1992" width="2989"><media:description type="plain"><![CDATA[Stratford Festival artistic Antoni Cimolino at the Tom Patterson Theatre, Oct. 13, 2020. Barry Avrich's film following Cimolino through the festival’s recent years will premiere at Hot Docs on April 27.]]></media:description><media:credit role="author" scheme="urn:ebu">JENNIFER ROBERTS</media:credit></media:content></item><item><title><![CDATA[Mary, Mary, Mary, Mary is a disappointing Bible play about the women in Jesus’s orbit]]></title><link>https://www.theglobeandmail.com/culture/article-mary-mary-mary-mary-is-a-disappointing-bible-play-about-the-women-in/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/article-mary-mary-mary-mary-is-a-disappointing-bible-play-about-the-women-in/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[Production at Crow’s Theatre is a rare misstep from the prolific Erin Shields]]></description><pubDate>Fri, 17 Apr 2026 22:59:16 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/A2HFTZFXZBEWPCEZU7G2JPSS2I.jpg?auth=140b1d54652551e0051c83281fc4762c804a7e0f9231b6239af2b5bfaf958b37&smart=true&width=3500&height=2333" alt="(L to R) Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in Mary, Mary, Mary, Mary." height="2333" width="3500"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/A2HFTZFXZBEWPCEZU7G2JPSS2I.jpg?auth=140b1d54652551e0051c83281fc4762c804a7e0f9231b6239af2b5bfaf958b37&amp;smart=true&amp;width=3500&amp;height=2333" type="image/jpeg" height="2333" width="3500"><media:description type="plain"><![CDATA[(L to R) Amaka Umeh, Nancy Palk, Michelle Monteith, Belinda Corpuz, and Sabryn Rock in Mary, Mary, Mary, Mary.]]></media:description><media:credit role="author" scheme="urn:ebu">Dahlia Katz</media:credit></media:content></item><item><title><![CDATA[With literal flames, photographer reframes pictures of Iran’s protests]]></title><link>https://www.theglobeandmail.com/culture/art-and-architecture/article-with-literal-flames-photographer-responds-to-pictures-from-irans/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/art-and-architecture/article-with-literal-flames-photographer-responds-to-pictures-from-irans/</guid><dc:creator><![CDATA[Aisling Murphy, Photography by Parisa Azadi]]></dc:creator><description><![CDATA[Iranian-Canadian photojournalist Parisa Azadi uses altered instant photographs to examine protest imagery, memory and risk]]></description><pubDate>Fri, 17 Apr 2026 12:00:00 +0000</pubDate><content:encoded><![CDATA[<p><!--Header code for image-layout-component. 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</p>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/AZWLHDOMRRAJ7CPRIPUWPPSLOM.jpg?auth=ac3d4aa19412730adbba64822f35e9a89b17d611d4f06e84db9ada7cb8f18246&amp;smart=true&amp;width=5464&amp;height=3643" type="image/jpeg" height="3643" width="5464"><media:description type="plain"><![CDATA[Iranians gather around a bonfire amid anti-government protests as they chant “You’re the pervert. You’re the whore. I’m a free woman” on the streets in Iran in 2022. The chant, which became widespread during the 2022 uprising and beyond, is a declaration of defiance and liberation against the state’s enforcement of strict dress codes and its policing of women’s bodies. Photo by Parisa Azadi. Video Source: Vahid Online]]></media:description><media:credit role="author" scheme="urn:ebu">Parisa Azadi</media:credit></media:content></item><item><title><![CDATA[Clyde’s, about the lifelong search for the perfect sandwich, goes skimpy on plot and heavy on drama]]></title><link>https://www.theglobeandmail.com/culture/stage/article-clydes-sandwich-theatre-sophia-walker/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/stage/article-clydes-sandwich-theatre-sophia-walker/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[A talented ensemble and inventive staging bring texture to a play that’s otherwise light on substance]]></description><pubDate>Thu, 16 Apr 2026 20:45:22 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/D2O7ET7CLJDGXCR65KFLJJU6BU.JPG?auth=5e45faaa288e909fce523cbd9ae6b944ef005fb7259e54002a5d4989fd04ab24&smart=true&width=3024&height=2016" alt="Clyde’s, starring Sophia Walker, is now playing in a punchy production by Canadian Stage.
" height="2016" width="3024"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/D2O7ET7CLJDGXCR65KFLJJU6BU.JPG?auth=5e45faaa288e909fce523cbd9ae6b944ef005fb7259e54002a5d4989fd04ab24&amp;smart=true&amp;width=3024&amp;height=2016" type="image/jpeg" height="2016" width="3024"><media:description type="plain"><![CDATA[Sophia Walker, Clyde’s Production Photos – April 2026Photos by Dahlia Katz.]]></media:description><media:credit role="author" scheme="urn:ebu">Dahlia Katz</media:credit></media:content></item><item><title><![CDATA[Sophia Walker’s had a big year. But sandwich dramedy Clyde’s marks a new chapter for the actor]]></title><link>https://www.theglobeandmail.com/culture/stage/article-sophia-walker-clydes-slave-play-theatre/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/stage/article-sophia-walker-clydes-slave-play-theatre/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[Walker memorably appeared in Slave Play, which concluded with a visceral, blood-curdling scream]]></description><pubDate>Wed, 15 Apr 2026 12:00:00 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/S54AZWJYE5AU3AESZ3MDMDUSJA.JPG?auth=d0339e2e9a44e054792371a3be99b763c8d5b1a8cf19c437916abcc9d339a35b&smart=true&width=3500&height=2332" alt="Sophia Walker in rehearsal for Clyde's, in which she plays an ex-con sandwich shop owner whose business employs fellow felons." height="2332" width="3500"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/S54AZWJYE5AU3AESZ3MDMDUSJA.JPG?auth=d0339e2e9a44e054792371a3be99b763c8d5b1a8cf19c437916abcc9d339a35b&amp;smart=true&amp;width=3500&amp;height=2332" type="image/jpeg" height="2332" width="3500"><media:description type="plain"><![CDATA[Sophia Walker in rehearsal for Clydes-photobyDahliaKatz-0962 ]]></media:description><media:credit role="author" scheme="urn:ebu">Dahlia Katz</media:credit></media:content></item><item><title><![CDATA[In Strife, playwright Matthew MacKenzie takes aim at whitewashed activism]]></title><link>https://www.theglobeandmail.com/culture/stage/article-matthew-mackenzie-strife-review/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/stage/article-matthew-mackenzie-strife-review/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[A bird does the most important talking in intimate drama about activism, academia and their intersection in Alberta’s oil sands]]></description><pubDate>Tue, 14 Apr 2026 16:57:09 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/Z33G5TDAWZBHLIRK5RAFUDRYYQ.jpg?auth=d5ea7eebc30653961cb2e0db351dd023fd537bc06bb0c8bc2ca769989d5f9841&smart=true&width=7728&height=5152" alt="Tracey Nepinak, left, and Teneil Whiskeyjack in Strife." height="5152" width="7728"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/Z33G5TDAWZBHLIRK5RAFUDRYYQ.jpg?auth=d5ea7eebc30653961cb2e0db351dd023fd537bc06bb0c8bc2ca769989d5f9841&amp;smart=true&amp;width=7728&amp;height=5152" type="image/jpeg" height="5152" width="7728"><media:description type="plain"><![CDATA[Tracey Nepinak, left, and Teneil Whiskeyjack in Strife.]]></media:description><media:credit role="author" scheme="urn:ebu">Jae Yang</media:credit></media:content></item><item><title><![CDATA[Zaiba Baig returns to the stage with a pair of – sort of – trans rage plays ]]></title><link>https://www.theglobeandmail.com/culture/stage/article-zaiba-baig-kainchee-lagaa-and-jhooti-review/</link><guid isPermaLink="true">https://www.theglobeandmail.com/culture/stage/article-zaiba-baig-kainchee-lagaa-and-jhooti-review/</guid><dc:creator><![CDATA[Aisling Murphy]]></dc:creator><description><![CDATA[The playwright digs into what it means to exist in a trans, brown body, and especially one that in the last five years has become a national symbol for queer joy]]></description><pubDate>Mon, 06 Apr 2026 19:33:45 +0000</pubDate><content:encoded><![CDATA[<img src="https://www.theglobeandmail.com/resizer/v2/VK5ZAXH7CNANVAYCZY2UOBCYPU.jpg?auth=2336ad1667ddf334f8b81013f3b0ef6e94ff49a1538a90d76c7b937940736af1&smart=true&width=3000&height=2400" alt="Zaiba Baig in Kainchee Lagaa and Jhooti." height="2400" width="3000"/>]]></content:encoded><media:content url="https://www.theglobeandmail.com/resizer/v2/VK5ZAXH7CNANVAYCZY2UOBCYPU.jpg?auth=2336ad1667ddf334f8b81013f3b0ef6e94ff49a1538a90d76c7b937940736af1&amp;smart=true&amp;width=3000&amp;height=2400" type="image/jpeg" height="2400" width="3000"><media:description type="plain"><![CDATA[Zaiba Baig in Kainchee Lagaa and Jhooti.]]></media:description><media:credit role="author" scheme="urn:ebu">Jeremy Mimnagh</media:credit></media:content></item></channel></rss>