Companies are still pressing forward with AI-created ads despite pressure from the filmmaking industry.edwardolive/Getty Images
Generative artificial-intelligence companies are tapping into Canada’s film-and-TV casting networks as they recruit people to speak in videos to train their models, raising concerns in the filmmaking community about the industry’s future.
The Toronto wing of the Alliance of Canadian Cinema, Television and Radio Artists actors’ union says its team has identified at least three casting notices connected with AI training so far this year.
At least one was tied to Velvet Media Inc., a small U.S. tech company that describes itself as a platform for custom AI-generated videos and is backed by the influential Silicon Valley startup-growth accelerator, Y Combinator. The company began reaching out to Canadian casting organizations in February to help it film people for a “conversational acting project.” In one e-mail soliciting participants obtained by The Globe and Mail, the company described itself as a media company and did not mention AI.
The Toronto company Powerhouse Casting eventually helped Velvet recruit actors, according to a later publicized casting notice. It sought English speakers with no discernible accent “to train a language model” to develop a “spec video series for AI machine-learning development.”
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The casting call has raised concerns among the filmmaking community, including two divisions of ACTRA, about participating actors being used to strengthen software that could someday replace them.
“It’s going to take away work from our membership – work that they base their livelihoods on,“ said Gail Haupert, ACTRA Toronto’s director of contracts and production. ”Not only that – we are worried that there’s not enough education out there that people don’t know what they’re providing their voices for."
On March 19, the Union of British Columbia Performers, ACTRA’s wing in the province, issued a Do Not Work notice for Velvet – prohibiting members from working with the company since it had not been able to confirm whether its project would adhere to the union’s collective agreement.
ACTRA has guidelines in its agreement with film producers, which oversee the use of AI training and digital replication, including around compensation when an actor’s likeness is used. But some casting calls seek out non-union actors.
The original Velvet casting notice says it is open to both union and non-union actors. Union actors, however, would need the shoot to adhere to ACTRA’s approved terms, including around informed consent and proper compensation, Haupert said. Velvet’s perpetuity requirements and the $175 compensation for the seven-hour job it outlined for its Canadian casting notice are exactly the kind of stipulations that would draw concern from ACTRA.
“Some of the compensation we see is actually below minimum wage, once you do all the breakdowns of the fees,” Haupert said.
The lack of government regulation around AI, she adds, opens the door for unscrupulous players to take advantage of existing systems. And, she said, “technology changes so quickly that we’re trying to ensure the protections we have are current.”
Powerhouse Casting declined to comment for this story. Velvet’s co-founders, Lucas Mantovani and Lucas Tucker, did not respond to comment requests.
In Velvet’s public terms and conditions, the company says it “will be the sole and exclusive owner in perpetuity throughout the universe of all right, title, and interest” of any submissions to the company. Such a broad grant of rights is not just unusual, Velvet’s critics say, but also problematic: Actors’ likenesses could be used by Velvet customers to create videos, such as commercials, that would no longer need the human actors that helped train its models.
“A performance is a rental – every time they rent it, they should be compensating performers for it," Haupert said.
Jesse Collin, an actor who’s appeared on shows including The Recruit and Fargo and films such as The Revenant, also runs the Craft Self Tape Studio in Toronto, which helps actors make tapes for auditions. He worries about AI tech replacing workers across the industry.
“The industry at its core is collaborative,” Collin said. “With AI creeping in, it becomes important for those who have earned the trust of everyone to continue to act responsibly.”
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In spite of pressure from actors and others in the filmmaking industry, companies are pressing forward with AI-created ads – with mixed results. McDonald’s Netherlands released an AI-generated Christmas ad last year, which faced such widespread criticism over its eerie visuals and lack of human creative workers that the company eventually pulled the spot.
Still, AI-related clauses have been sneaking into casting calls more broadly, particularly when it comes to advertising. One March call for non-union actors for a Pfizer ad campaign, for example, sought rights to an actor’s likeness for new commercials with changes to the season, environment or the dialogue’s language.
That approach could mean lost jobs for non-English actors – plus behind-the-scenes workers such as location scouts, prop masters and wardrobe and make-up artists.
“It’s a concern that AI is being used as more than just a creative tool – that it’s being used to save clients a lot of money in the advertising world," said Andrew Deiters, the founder of Toronto’s Groundglass Casting and vice-chair of commercials at the Casting Director Society of Canada.
He speaks with Canadian casting leaders regularly about such industry-reshaping matters. AI companies pushing into film, he added, “could represent a pretty fast contraction of the volume of work we do.”