
Illustration by Dorothy Leung
Here’s 10 more promising comedies, dramas and docu-series hitting the figurative air this fall.
Oct. 9: Boots, Netflix
Oct. 22: Lazarus, Prime Video

Emma Thompson and Ruth Wilson in Down Cemetery Road, premiering Oct. 29, on Apple TV+.Matt Towers/Apple TV+
Oct. 29: Down Cemetery Road, Apple TV+
Slow Horses Season 5 is already rolling out on Apple TV and in cracking form – but the streaming service has further fun for fans of adaptations of Mick Herron novels. Morwenna Banks, who writes on Slow Horses (and voices Peppa Pig’s mummy), is at the helm of this new series based on the first of Herron’s Zoë Boehm thrillers; Emma Thompson stars.

Rachel Sennott in I Love LA, premiering on Crave on Nov. 2.HBO / Crave
Nov 2: I Love LA, Crave
TV comedies set and shot in Los Angeles are all the rage these days – from The Studio to the most recent season of Hacks. Rachel Sennott, who first rose to fame through the film Shiva Baby and co-wrote immediate cult comedy classic Bottoms, is the creator, star and writer of this new one; there’s little known about the show yet except that it’s about a group of friends and Sennott’s co-stars include Odessa A’zion, Jordan Firstman, True Whitaker and Josh Hutcherson.
Maitreyi Ramakrishnan in The Assembly, premiering on CBC Nov. 6.Erich Saide/CBC GEM
Nov. 6: The Assembly, CBC
The Mother Corp’s new additions to its lineup this fall are mainly reality and docu-series. Based on an international format that started in France, this talk show sees celebrities and public figures grilled by a group of 30 interviewers on the autism spectrum. At it best, previous iterations of the show have not just been showcases for neurodiversity but led to vulnerability and surprising revelations from guests.

Dakota Fanning as Jenny and Sarah Snook as Marissa Irvine in All Her Fault.PEACOCK/StackTV
Nov. 6: All Her Fault, Showcase/StackTV
Australian actor Sarah Snook comes back to television after four seasons of scheming as Shiv on Succession with this thriller based on a gripping Irish novel. A starry cast that also includes Dakota Fanning leads to hope it may be more than just the serialized Lifetime movie that its logline suggests: When a mom shows up to pick up her son from a playdate, he can’t be found.
Nov. 7: Nepobaby, CBC Gem
The national public broadcaster’s streaming service has been snapping up intriguing Scandinavian shows lately beyond the in-demand genre of Nordic noir. Created by Henriette Steenstrup, this Norwegian comedy about a woman who discovers she’s an heiress has been described as Succession meets Veep – and won awards at the Canneseries festival for its screenplay and ensemble.

Claire Danes as Aggie Wiggs and Matthew Rhys as Nile Jarvis in The Beast in Me, premiering on Netflix on Nov. 13.Courtesy of Netflix/Netflix
Nov. 13: The Beast in Me, Netflix
Television superpowers Claire Danes (Homeland, Fleishman Is In Trouble) and Matthew Rhys (The Americans, Perry Mason) have somehow never formed an alliance on screen before now. In this cat-and-mouse miniseries, Danes plays a mourning author who breaks out of her long-time writer’s block when a real estate mogul, whose wife disappeared mysteriously and who is played by Rhys, moves in next door.

Rhea Seehorn in Pluribus, premiering Nov. 7, 2025 on Apple TV+.Apple TV+
Nov. 7: Pluribus, Apple TV+
Screenwriter Vince Gilligan’s much-anticipated follow-up to the interconnected, critically lauded double whammy of Breaking Bad and Better Call Saul may also be set in Albuquerque but marks a return to the sci-fi roots of the writer who first rose to prominence penning some of the best episodes of The X-Files. A strange virus has made all of humanity content – and, per the tagline, “the most miserable person on Earth must save the world from happiness.”
Nov. 16: The American Revolution, PBS
The second TV team-up of Danes and Rhys? The actors are among those who have signed up to read first-person accounts of historical figures in this new documentary series from Ken Burns, Sarah Botstein and David Schmidt about a war that’s nearly as important to Canadian as American history. With Congress voting to defund the Corporation for Public Broadcasting, this may be your last chance to learn about the past from Burns while cameras slowly pan and zoom across still images.