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The Toronto International Film Festival has kicked off, but not without controversy. This year, the premiere of the documentary, The Road Between Us: The Ultimate Sacrifice, took a brief turn on centre stage. Artists, programmers and filmmakers are locked in a debate about whether to screen the film about an Israeli family’s story during the Oct. 7 attacks by Hamas.
Barry Hertz, the Globe’s film editor, traces why TIFF pulled the documentary in the first place, why it was brought back into the lineup, and what TIFF’s flip-flopping says about programming public events in arts festivals. What is the responsibility of an arts organization in balancing artistic expression and free speech?
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