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In photos

Windows to the world

2025’s winners in the World Press Photo Contest covered some of the biggest stories of recent times – war in Gaza, climate upheaval in the Amazon – and other moments that would have otherwise gone overlooked. Here are some of the highlights

The Globe and Mail
Music and dancing are forbidden by the Taliban, but these teens in Kabul did so anyway. The Canadian-Iranian journalist who photographed them, Kiana Hayeri, is one of 42 regional winners announced Thursday in 2025’s World Press Photo Contest, which names a global winner and two finalists on April 17.
Music and dancing are forbidden by the Taliban, but these teens in Kabul did so anyway. The Canadian-Iranian journalist who photographed them, Kiana Hayeri, is one of 42 regional winners announced Thursday in 2025’s World Press Photo Contest, which names a global winner and two finalists on April 17.

Crossing to the north

Federico Ríos is a photojournalist from Colombia, whose narrow land border with Panama is a popular, but dangerous, crossing for migrants who hope to find better, safer lives in North America. His long-term project documented those journeys through the years leading up to 2024’s presidential elections in Panama and the United States, whose victors, José Raúl Mulino and Donald Trump, each promised tougher fortifications at their southern borders and policies to send asylum seekers back where they came.

Yineska Andreina Colina, 18, has not yet collected the money needed for her Darién Gap crossing. In 2023, Federico Ríos found her waiting at a shelter in Capurganá, Colombia, with her daughters, then two years and nine months old, respectively.
On a Colombian beach in March, 2023, migrants wade toward a boat bound for the Darién Gap. They are a mix of Afghans, Chinese, Venezuelans and Ecuadorians. Some have never seen the ocean before.
The ‘death river’ in Colombia has treacherous, fast currents, so migrants must work together to keep each other from being swept away and drowned.
‘Las Banderas’ is a spot on the Panama-Colombia border where migrants arrive. The summer after this photo was taken, Panama started to install barbed-wire fence along parts of the border.

Crossing to the east

For this project, Kurdish photojournalist Ebrahim Alipoor travelled the borderlands between Iran, where he was born, and Iraq, which supplies the Islamic republic with items that its rulers forbade after the 1979 revolution. Porters, known in Kurdish as kolbars, brave the harsh mountain climate and sometimes bullets from Iranian border patrols.

Brides in Iranian Kurdistan risk becoming widows when their partners set out on kolbari, the practice of ferrying goods across the border. Dozens of kolbars die every year.
Iranian patrol caught Khaled on kolbari and shot him in the head. He survived, but doctors had to remove both eyes. When this portrait was taken in 2019, he was 32, his children aged 2 and 7.
For some Iranians, border-crossing is meant to be a one-way trip, an escape from dire conditions at home. Mohammad says farewell to his mother before his departure in 2023.
A kolbar’s load often consists of cigarettes, appliances and European clothing, all of which supply a busy black market in the region.

Grief in Gaza

Palestinian photojournalist Ali Jadallah has lost much since the Oct. 7 attacks of 2023, and the Israeli invasion of Gaza that followed. His father, four siblings and cousins perished in an Israeli air strike, though he found his mother alive in the rubble. “There is nothing like feeling a living hand beneath the ruins,” he told the World Press Photo contest. “... Now, as I document Gaza’s devastation, I search for moments that hold the same spark of life.”

It is the first day of 2024 in Deir al-Balah, and first responders are tending to a wounded Palestinian boy in hospital. Israeli forces had attacked the nearby Maghazi refugee camp with missiles and artillery.
Deir al-Balah would see many more attacks through 2024. In June, people watch the smoke rise over a building, and in August, a family mourns over bodies from the Nuseirat refugee camp.

Rejoicing for Brazilians

No matter how the match turned out in Buenos Aires on Nov. 30, Brazilians would cheer. On one side was Atlético Mineiro, a club that had won the Libertadores cup before; on the other was Botafogo, which hadn’t. André Coelho, a staff photojournalist for news agency EFE, went to Botafogo’s home stadium in Rio de Janeiro as fans watched the team triumph 3-1. It was the the third Libertadores win in a row for a Rio club, and the sixth consecutive win for Brazil overall.

Fans at Botafogo’s home stadium in Rio de Janeiro celebrate with hugs and kisses as their team, far away in the Argentine capital, scored a goal at the Libertadores Cup final.

Rough times on the rivers

The Amazon is the world’s largest river, but two straight years of extreme drought have taken a heavy toll on its tributaries. Mexican-Peruvian photojournalist Musuk Nolte visited the Brazilian interior in the October dry season and found riverbeds that resembled deserts. Two other World Press Photo winners for South America, Amanda Perobelli and Anselmo Cunha, found the opposite in Rio Grande do Sul: Heavy floods in May put populated areas under water.

Elidia Carolina lives on a floating house with her partner and their two-year-old daughter, but it was not doing much floating when photojournalist Musuk Nolte found them last fall. The nearest shore of the Solimões River was a two-kilometre walk away.
This Boeing is not airborne: It was hemmed in by floodwaters on May 20, when photographer Anselmo Cunha came to the international airport in Porto Alegre, Brazil.
Brazil’s southernmost state bore the brunt of heavy rains that also soaked nearby Uruguay and Argentina. Amanda Perobelli was there to document its effects in Canoas, Brazil.

Lives lost in Colombia

The village of Puerto Antioquia is long acquainted with dangers from outside – constant warfare, drug trafficking, forced recruitment by armed groups – but there is another threat from within: Suicide. According to the local diocese, 60 people in the Indigenous communities of Colombia’s Bojayá River have killed themselves between 2015 and 2024. Documentary photographer Santiago Mesa set out to learn more.

Liria Cheito once tried to kill herself with a paruma, a traditional cloth used as a skirt, because she was tired of mistreatment by her husband. The people of her home community, Puerto Antioquia, are Embera Dobidá, a subgroup of the Embera culture of Colombia’s Chocó region.
Ahitana, 23, has tried to kill herself several times since being displaced from Chocó by armed violence. Opportunities have been scarce and mistreatment rife in Bogota, where she lives in one of the communities-in-exile for her people, the Embera Chamí.
María Camila, Luisa and Noraisi Birry are wearing the parumas that their sister, Yadira, left behind when she killed herself in Puerto Antioquia in 2023. She was the first recorded suicide in the community: The same night, three more locals tried to take their own lives.
Isolation and lack of government assistance are some of the reasons why people in Puerto Antioquia feel they have no future.

Lives interrupted in Afghanistan

Last year, Canadian-Iranian photographer Kiana Hayeri and researcher Mélissa Cornet crisscrossed Afghanistan, speaking with dozens of women. Since the Taliban takeover of 2021, the regime has steadily stripped away women’s rights to education, work and free expression. Many said they had lost hope for the future.

Seven hundred female high schoolers study at this private institute in Kabul, where they must turn over backpacks and walk single file past security guards at the entrance and exit. It is a rare case where local Taliban look the other way when teen girls get an education, but that has its limits: The girls cannot get an official Afghan education certificate or go to university.
Wazhmah, with daughter Tahmeena, missed her chance to go to university after the Taliban fell, but hoped her children could do so. Tahmeena got admitted to Kabul University Medical Institute and attended for a few months until the doors were closed to women in late 2022.
The mannequins at this shop in Kabul have their faces covered, in one case with a plastic bag, because the Taliban forbids such images on everything from advertisements to TV broadcasts. Oppressive morality laws limit how women can be seen and heard in public.

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